| Portion of title |
Dislocating the Istoria in early modern painting |
| Series |
HMSBA ; 2
Harvey Miller studies in Baroque art ; 2. ^A1114966
|
| Contents |
A matter of optics and rhetoric: the aporia of pictorial narravtive before, during, and after Caravaggio's time, Caravaggio's nonsense -- The glitches in Alberti's Istoria: the human figure between beauty and reality -- The glitches in Alberti's Istoria: time and action -- The false dichotomy between telling and showing: beyond Alberti's Istoria -- Blending genres: lyrical and comical interactions in Caravaggio's early paintings, comedy of errors -- Money and seduction: narrative patterns in Caravaggio's two versions of the Fortune Teller -- Behind the comical trick: Caravaggio's 'The Cardsharps' and Giovan Battista Marino's "Gioco de Primera " -- Love in the mirror: a comparative reading of Titian's 'Woman at her Toilet' and Caravaggio's 'Conversion of Mary Magdalene'. |
| General note | HMSBA is Harvey Miller Studies in Baroque Art. |
| Bibliography note | Includes bibliographical references (p. 589-643) and index. |
| LCCN | 2011294384 |
| ISBN | 9781905375486 |
| ISBN | 1905375484 |
